![]() ![]() Mariko choreo by Catherine Papadakis, Laurie May, Malika Tahir by Evgeny SokolovskyįS: "Bohemian Rhapsody" by Queen, Freddie Mercury choreo by Anastasia BuninaįS: "Honor My Mother" by Jason Yang "Transcendence" by Jason Yang feat. SP: "Winter - Genesis" by Antonio Vivaldi, perf. SP: "My Love" by Kovacs, Linda McCartney, Paul McCartneyįS: "I Walk Alone" by Tarja, Mattias Lindblom choreo by Alina Boyko, Taavi Rand 18" by Sergei Rachmaninov choreo by Leonora Colmor JepsenįS: "Kung Fu Piano: Cello Ascends" by The Piano Guys choreo by Igor Krokavec, Marina Zoueva, Ilya Tkachenko SP: "Cry Your Heart Out, Oh My God"by AdeleįS: "Piano Concerto No. Brooke GriffithįS: "Nagada Sang Dhol" by Shreya Ghoshal and Osman Mir "Deewani Mastani" by Shreya Ghoshal "Chikni Chameli" by Shreya Ghoshal choreo by Sergei KomolovįS: "The Mask Of Zorro (soundtrack)" by James Horner choreo by Gabriela Hrazska-Zilkova (SP), Rostislav Sinicyn (FS) ![]() SP: "Can’t Help Falling In Love (Dark version) by Tommee Profitt feat. Music Free Skating / Free Dance as of season 2022/2023įS: "Mammhots (Ice Age The Meltdown soundtrack)" by John Powell "Mourning Routine (Rio soundtrack)" by John Powell "Great Momma Bird (Rio soundtrack)" by John Powell "Flying (Rio soundtrack)" by John Powell "Market Forro (Rio soundtrack)" Carlinhos Brown & Mikael Mutti choreo by Luca DematteįS: "C'est moi" by Marie-Mai choreo by Joey RussellįS: "Glembajevi" by Arsen Dedic "Dans la Maison' by Philippe Rombi choreo by Lorenzo Magri SP: "Puss in Boots (soundtrack) by Henry Jackman Rondo (Allegro)" by Ludwig van Beethoven "Beethoven Virus" by SJ "Crazy Poem Music" by SJ choreo by Tatjana Schröck The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Müller organ in the Sint Bavokerk, Haarlem ().SP: "Crazy Train' by Ozzy Osbourne "Devil's Dance" by Metallica, Michael Kamen "Palladio" by EscalaįS: "Piano Sonata No. ![]() I made sure the important harmonic notes are present in the right places, yet I also added some extra embelishments in 32th notes to break the monotony of only playing broken chords. In this middle voice (played with the left hand) I treated the material of Vivaldi’s original rather freely. I therefore decided to condense the middle voices from the original into one voice and give this transcription the form of an organ trio. That is certainly playable on an organ as well, it’s just not very idiomatic for organ music from the Baroque era. The middle voices of Vivaldi’s original (the first and second violins of the orhestra) play continuos double voiced broken chords in sixtheenth notes. Where Vivaldi has the bass voices play four eights notes e flat, the pedal in my transcription plays a quarter note e flat and a rest with the duration of a quarter note. The harmonic layout I kept, of course, the same. This does not work very well for organ in my opinion and I decided to replace them with a pattern of an quarter note with a rest with the duration of a quarter note. Vivaldi has the bass voices play continuous eight notes. The accompanying notes however, deviate from the original. In this transcription the solo voice plays the literal notes the Violin plays in Vivaldi’s original. I guess I was a bit sloppy in checking IMSLP. [update: there actually at least three transcriptions available. That’s why I decided to repeat my trick from 6 months ago and create my own transcription for organ. However, there is no transcription for organ of this composition available on the largest collection of free scores on the internet IMSLP. As I liked the effect of this piece on organ, I wanted to play it myself as well. Today, I heard someone play a transcription of the second part of Vivaldi’s Violin Concerto l’Inverno on organ. Almost 6 months ago I made a transcription of the middle part of Vivaldi’s third Flute Concerto. ![]()
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